Motion
Red carpet videographer
An arrival is movement, sound and thirty seconds that will not happen again. We film it as its own job, with its own camera and its own person, and you get something you can publish before the evening is over.
On the night
What a video crew sees that a stills crew cannot
The arrival, as motion
The car door, the step onto the carpet, the turn, the walk. Filmed by someone whose only job that night is the moving image, on a second body, with a second pair of eyes.
Detail and texture
The fabric moving, the jewellery catching a flash, the hands. The frames a brand ends up using, and the ones a still cannot give you.
Vertical first, when it should be
Shot knowing where it will be published. A reel framed as an afterthought from a horizontal master is a crop, and it looks like one.
Sound that survives a carpet
A red carpet is shouting, shutters and PA. Where the clip needs to carry a voice, it is recorded properly rather than salvaged in the edit.
Filmed on the Lido
Recent work
Venice Film Festival arrivals and premieres. Tap for sound.
Venezia · Kendall Jenner
Venezia · Margarida Corceiro
Venezia · Emma Stone
Venezia · Sanjar
Venezia · Aliia Roza
Venezia · Ninoska
Deliverables
What you actually receive
Raw clips
The unedited takes, straight from the card and colour-managed. For agencies and brand teams who cut their own, or need the originals for an archive.
Edited vertical reel
A finished cut of the evening: paced, graded, ready to publish. Built from the same footage, so it matches everything else that comes out of the night.
Same-night selection
A first cut published while the evening is still running, because an arrival posted two days later is an archive clip and not a moment.
Filming during a festival? Venice Film Festival coverage has its own page, with the calendar night by night. For runway and backstage, see fashion weeks, and for brand films editorial campaigns.
Motion, answered
What clients ask about video
What is the difference between this and your red carpet photography?
They are two separate crafts and, on the night, two separate people. One camera trying to do both gives you a compromised version of each. You can book either on its own, or both for the same evening, which is what most clients do.
How quickly do I get something I can publish?
A first edited cut the same night, in time for the evening to still be current. Raw clips and the full edit follow in the days after, depending on how much was filmed.
Do you deliver vertical for social?
Yes, and framed for it during the shoot rather than cropped afterwards. If you also need a horizontal master, say so before the night and both are covered.
Can our team edit the footage ourselves?
Yes. Raw clips are sold as raw clips exactly for that. If your agency has a house style, taking the originals is usually better than asking us to imitate it.
Which events do you film?
Film festival premieres, galas, awards, brand activations and the parties around them, across Venice, Cannes, Milan, Paris and Monte Carlo. During the Venice Film Festival we work on the Lido as an independent studio, not as an official festival partner.
Where does the finished video end up?
On VT Media, our delivery platform: you open the gallery for the event, find your own material, and download the full-resolution files. Clips and reels are bought from the same place as the photos.
VT Media
Your clips, the same night.
Video shot by Visual Twins is delivered on VT Media: open the event gallery, find your own footage, download the full-resolution files.
Let's Create Together