For fashion and jewellery designers
Your piece on the carpet,
in your hands by midnight
You dressed someone for a red carpet. The morning after, what you usually have is a cropped agency frame you cannot license and a phone video shot by a friend.
Events
Festivals & fashion weeks
Cities
Venice · Cannes · Milan · Paris
Delivery
The same night
Usage rights
Agreed in advance
What you get back
We photograph the look properly and hand you the files while the night is still going, with the credits written and the rights stated. Coverage is priced from our red carpet list, the same one every client gets.
Ask for the list→The look, shot properly
Arrivals, full length and detail. The piece read as a piece, not cropped out of a crowd frame.
Same night, credits written
Edited files before the night is over, with the credit block ready to paste and the usage rights on paper.
A report at the end
What was produced and what happened to it. The part nobody in this market delivers.
Part of our Red Carpet Events coverage.
On the Lido, 2025 edition
How a gown reads in our frames
Ten consecutive nights, more than 150 talents and guests in front of our lens.
Motion
The dress, moving
A gown does half its work in motion. Tap for sound.
Venezia · Kendall Jenner
Venezia · Margarida Corceiro
Venezia · Emma Stone
Venezia · Sanjar
Venezia · Aliia Roza
Venezia · Ninoska
What this is not
We do not sell festival access.
We are a media production company, not a placement agency. We cover the moment you already have: the première your piece is going to, the gala your client is attending, the photocall on the schedule. If someone has promised you a red carpet, ask them to name the event, the date and the door. We name ours.
How it works
Four steps, and two of them are ours
Tell us the night
Which première or gala, and who is wearing the piece. If the night is not fixed yet, tell us the window.
We confirm, then price
We check we can be there and send you the coverage list. It is the same list everyone gets, nothing invented for you.
We shoot the look
On the carpet and, if you want it, at the fitting. You do not have to manage us: we know the schedule.
You publish the same night
Files reach you before the night is over, credits already written. The report follows when the event closes.
After the event
You get a report, not just a folder
When the festival or the week closes you receive what was actually produced and what happened to it. If you have ever paid for a red carpet appearance and had no idea what you got for it, this is the difference.
- Every frame delivered, by night and by look
- Which files were published, and on whose account
- The credit line as it appeared, wherever we can see it
- What we would shoot differently next time, in plain words
For the atelier
What designers and maisons ask
Will the garment actually read in the photographs?
That is the brief, and it is different from covering a person. Full-length frames that hold the silhouette, movement so the fabric behaves like fabric, and detail on the construction: the seam, the embroidery, the back of the dress that nobody shoots because everyone stands in front.
We are a jewellery maison. Is that the same job?
No, and it is the case where generic coverage fails silently. A necklace or an earring does not exist in a wide arrival frame: it needs close work, the right angle to the light so stones read rather than flare, and frames of the hand, the neckline and the ear treated as their own shot list. Say it is jewellery when you book, and the night is planned around that.
When do we get the images?
An edited first selection the same night, which is the point: a look posted two days after the premiere has missed its own news cycle. The complete set follows, delivered through VT Media.
What usage rights come with the images?
Agreed before the evening, not after. Brand and campaign use is a different licence from a personal purchase, and settling it in advance costs one message; settling it after something is published costs considerably more.
Can you get our piece onto the carpet?
No. We do not sell access, we hold no accreditations to resell, and anyone promising you either should be treated with suspicion. We photograph the evening you already have.
Do you cover the fitting and the events around the premiere?
Yes, and for a brand that is often where the usable content is: the fitting, the hotel portraits, the arrival by water, the dinner, the after-party. They are booked as part of the same evening.
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