For fashion and jewellery designers
Your piece on the carpet,
in your hands by midnight
2-12 September 2026 · Lido di Venezia
You dressed someone for a red carpet. The morning after, what you usually have is a cropped agency frame you cannot license and a phone video shot by a friend.
Festival
2-12 September 2026
Visual Twins coverage
2-11 September 2026
Delivery
The same night
Location
Lido di Venezia
What you get back
We photograph the look properly and hand you the files while the night is still going, with the credits written and the rights stated. Coverage is priced from our red carpet list, the same one every client gets.
Ask for the list→The look, shot properly
Arrivals, full length and detail. The piece read as a piece, not cropped out of a crowd frame.
Same night, credits written
Edited files before the night is over, with the credit block ready to paste and the usage rights on paper.
A report at the end
What was produced and what happened to it. The part nobody in this market delivers.
Part of our Red Carpet Events coverage.
On the Lido, 2025 edition
How a gown reads in our frames
Ten consecutive nights, more than 150 talents and guests in front of our lens.
Motion
The dress, moving
A gown does half its work in motion. Tap for sound.
Venezia · Emma Stone
Venezia · Sanjar
Venezia · Aliia Roza
Venezia · Ninoska
Venezia · Aurora Baruto
Venezia · Marisa & Elena
What this is not
We do not sell festival access.
We are a media production company, not a placement agency. We cover the moment you already have: the première your piece is going to, the gala your client is attending, the photocall on the schedule. If someone has promised you a red carpet, ask them to name the event, the date and the door. We name ours.
How it works
Four steps, and two of them are ours
Tell us the night
Which première or gala, and who is wearing the piece. If the night is not fixed yet, tell us the window.
We confirm, then price
We check we can be there and send you the coverage list. It is the same list everyone gets, nothing invented for you.
We shoot the look
On the carpet and, if you want it, at the fitting. You do not have to manage us: we know the schedule.
You publish the same night
Files reach you before the night is over, credits already written. The report follows at the end of the festival.
After the festival
You get a report, not just a folder
When the festival closes you receive what was actually produced and what happened to it. If you have ever paid for a red carpet appearance and had no idea what you got for it, this is the difference.
- Every frame delivered, by night and by look
- Which files were published, and on whose account
- The credit line as it appeared, wherever we can see it
- What we would shoot differently next time, in plain words
VT Media
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